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MusicInterview

by Dara Morgan

Meet Kenji Takimi: The Mastermind Behind Japan’s Underground Disco

13 Jan 2025

January 17, 2025, is shaping up to be a Friday that goes down in history. The Sandy Times and Honeycomb Hi-Fi are throwing a party that is about to hit maximum Japanese levels of cool. Kenji Takimi 瀧見憲司, Japan’s legendary underground DJ and vinyl maestro, will be spinning his dreamy, eclectic blend of house and disco beats right in the heart of Dubai. Joining him will be Kito Jempere, a DJ with his own ties to Japan’s musical vibes. And the Tokyo-inspired journey doesn’t stop at the music — bespoke Honeycomb cocktails and iconic Izakaya dining (yes, come hungry!) will complete the experience.
And now, it is time to meet the star of the night: Kenji Takimi.
The Legend
Kenji Takimi is a pioneer of the Leftfield/Alternative Disco scene and the founder of Crue-l Records, a label that has been shaping Japan’s alternative music landscape for over 30 years. He is a globetrotting DJ, sharing stages with legends like Andrew Weatherall, Armand Van Helden, DJ Harvey, and Theo Parrish. Known for his romantic, spacey, and genre-defying sets, Kenji is a true visionary whose music is both a nod to the past and a step into the future.
As the night approaches, we caught up with Kenji to talk about his journey, his craft, and what he is bringing to Honeycomb Hi-Fi.
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Instagram: @kenji_takimi

— Can you share some key moments from your journey that shaped your sound and identity as an artist?
— I have been collecting records for what feels like forever, and I believe the past and history shape both the present and the future. There is a thrill in mixing new tracks with old ones — it is something have done countless times, and it never gets old. My sound was heavily influenced by the New Wave movement and the Second Summer of Love, which I experienced in real time by the way.
— What inspired you to start Crue-l Records, and how has its mission evolved over the years?
— Back in the early ‘90s, I wanted to release music from the talented musician friends I had around me. At the time, I was working as a music journalist and DJ, and there weren’t many independent high-quality labels. So, I decided to take the leap.
— How has the Japanese underground music scene changed since you began your career, and what role do you think you have played in that evolution?
— The scene has evolved a lot, though there is still a noticeable gap between the underground and the mainstream. I like to think I have contributed by fostering a spirit of independence and originality.
— How do you balance analogue and digital tools in your music-making and DJing process?
— I have recently started using USB sound sources — it is something I have had to adapt to for professional reasons. Technology moves forward, and as artists, we need to move with it.
— What is the most memorable moment you have had while performing?
— There was this one time I thought I had messed up — but then the crowd absolutely exploded with excitement. That is the beauty of live performance — you never know where it takes you. [Laughs.]
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— Your record collection is legendary — what are the most prized gems in your collection, and is there a story behind any of them?
— I don’t usually buy rare records because they are rare — I buy what I love. But lately, I have noticed Japanese records with obi strips are getting pricier at record stores.
— Are there any genres or artists that you are currently obsessed with or rediscovering?
— I visit record stores a few times a week to dig through new releases, and every now and then, I rediscover something amazing on my own shelves.
— What is your impression of the current global leftfield/alternative disco scene?
The concept of “alternative” doesn’t seem to resonate as strongly these days. It is important to push back against the mainstream and keep that rebellious New Wave spirit alive.
— Having performed across the globe, how do cultural and regional nuances shape the reception of your music?
— I think the environment — climate, temperature, even geography — plays a huge role in shaping a culture’s response to music. The vibe definitely shifts from one country to another.
— What excites you most about performing at Honeycomb Hi-Fi, and what can the audience expect from your set?
It is my first time at this venue, so my head is buzzing with ideas. I am here to meet — and exceed — the audience’s expectations, and I promise to take them on a beautiful, love-filled musical journey.

Reserve a spot here

Please note that a minimum spend of 350 AED per person applies.
Feeling a bit spontaneous? We have got you covered! Enjoy your walk-in ticket on-site for 120 AED (includes one drink). Walk-in seating is first-come, first-serve, and entry is not guaranteed.
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